Aaron Mealey Midland, Michigan
This is where songs go that I like but aren't a part of my main project. These are slightly fleshed out demos.
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Tamar Berk's effortlessly hooky power-pop arrives with as much bright polish as it does effervescent energy.
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Coping Fantasies
by Power Plush
Power Plush wind catchy candyfloss melodies around a wiry post-punk base for an irresistible indie pop sound.
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Tamar Berk pairs trenchant autobiographical lyrics with brittle guitars for songs that will win over fans of early Liz Phair.
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Lost At The Party
by Terry Malts
On “Lost at the Party,” Terry Malts trade their marauding pop-punk for dark, mature pop. The result is their best record to date.
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Escape Artist
by Danielle Durack
The latest from Danielle Durack is a gentle wonder, its soft-focus songs full of yearning and effortlessly melodic.
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New York duo showcase an enigmatic blend of math rock guitars, pop-punk sing-a-longs, emo confessionals, and even rave-ready synths.
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Good American Songbook
by Bob Cummins Jr.
Radiant ’60s-style psych pop lights up the latest from Bob Cummins Jr., with harmonies impossible to resist.
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